Bad Boys 4: Ride or Die with a palpably slower, thicker Martin Lawrence (*collective squint) nears $300 million globally.
—
Rob Marriott,
VIBE.com,
30 Dec. 2024
Through squints, yells, and outsize reactions, Tadanobu Asano created a character whose interiority is always roiling and reaching, someone who finds life unfulfilling and doesn’t understand why this is all there is.
The impersonal, modernist thrill of watching strangers on the crowded subway has been eroded, but those strange leers have also been replaced by actual fellowship on group text chats.
—
Ian Bogost,
The Atlantic,
26 Aug. 2024
Director Sarah Blush and her excellent six-woman ensemble have taken note — even when Williams’s text periodically wavers or thins, Coach Coach remains a delicious showcase for their all-out commitment to every gasp-inducing revelation, ominous leer, and sudden but inevitable betrayal.
Elsewhere, shadow gapes invite light to flow through the property (another reference to the island’s volcanic origins).
—
Christopher Cameron,
Robb Report,
27 Jan. 2025
Jayne and their team also realized additional implications after studying and extrapolating the scalability ratio between their mouth gapes and cranial structures.
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